Differences

This shows you the differences between two versions of the page.

Link to this comparison view

Both sides previous revision Previous revision
Next revision		 Previous revision
hse-03 [2021/11/20 05:18] – renickhse-03 [2021/11/20 07:06] (current) – renick
Line 121: Line 121:
     - need for an openness in society     - need for an openness in society
     - society is increasingly mediated by algorithms     - society is increasingly mediated by algorithms
-        - supply chain+        - supply chain: Walmart, Carre Four, gasoline distribution, etc.
         - not necessarily dystopic:         - not necessarily dystopic:
             - Allende, Project Cybersyn: https://en.wikipedia.org/wiki/Project_Cybersyn             - Allende, Project Cybersyn: https://en.wikipedia.org/wiki/Project_Cybersyn
Line 129: Line 129:
         - Facebook, Twitter, etc. timeline algos         - Facebook, Twitter, etc. timeline algos
         - credit systems, face recognition etc. for crime prevention         - credit systems, face recognition etc. for crime prevention
-    - algorithmic discrimination: https://www.vox.com/recode/2020/2/18/21121286/algorithms-bias-discrimination-facial-recognition-transparency+    - algorithmic bias/discrimination: https://www.vox.com/recode/2020/2/18/21121286/algorithms-bias-discrimination-facial-recognition-transparency
     - ignorance of algorithms leads to a sense of powerlessness     - ignorance of algorithms leads to a sense of powerlessness
-    - what new relationships does open algorithmic art expose or suggest+    - Eco says open works suggest new forms of organization and relationship. what new relationships does open algorithmic art expose or suggest?
     - by exposing algorithms and showing how they can be beautiful, the understand-ability and tractability of algorithms shows new possibilities to an audience: "i could do this," "i could control an algorithm," and therefore shows possibility of agency that wasn't previously held for non-programmers     - by exposing algorithms and showing how they can be beautiful, the understand-ability and tractability of algorithms shows new possibilities to an audience: "i could do this," "i could control an algorithm," and therefore shows possibility of agency that wasn't previously held for non-programmers
     - even for programmers, the repurposing of the algorithmic tools for art also shows new possibilities     - even for programmers, the repurposing of the algorithmic tools for art also shows new possibilities
Line 165: Line 165:
 ===== conclusions, questions, discussion ===== ===== conclusions, questions, discussion =====
  
 +katya: 
 +
 +I think that the main difficulty of the auditory engagement is that while you are playing on computer u kinda incorporated the computer algorithsystem. So you act as a part or of the computer logic. And in my oppinion the musician is totaly sepated from the audience in this situation. He operates in kinda artifitial audible bubble detached from the sonic continuum and the perception experience shared with the audience.  (I also connect it with the primat of visual, as the musician is to be monitoring the labtop screen while playing.)
 +
 +renick:
 +
 +assuming this is a problem in achieving one's purpose, what strategies could the performer use to change the situation or otherwise overcome it?
 +
 +evegeniy bylina:
 +
 +https://monoskop.org/images/7/73/Kittler_Friedrich_Gramophone_Film_Typewriter.pdf
  • hse-03.1637414316.txt.gz
  • Last modified: 3 years ago
  • by renick