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hse-03 [2021/11/20 05:18] – renick | hse-03 [2021/11/20 07:06] (current) – renick | ||
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- need for an openness in society | - need for an openness in society | ||
- society is increasingly mediated by algorithms | - society is increasingly mediated by algorithms | ||
- | - supply chain | + | - supply chain: Walmart, Carre Four, gasoline distribution, |
- not necessarily dystopic: | - not necessarily dystopic: | ||
- Allende, Project Cybersyn: https:// | - Allende, Project Cybersyn: https:// | ||
Line 129: | Line 129: | ||
- Facebook, Twitter, etc. timeline algos | - Facebook, Twitter, etc. timeline algos | ||
- credit systems, face recognition etc. for crime prevention | - credit systems, face recognition etc. for crime prevention | ||
- | - algorithmic discrimination: | + | - algorithmic |
- ignorance of algorithms leads to a sense of powerlessness | - ignorance of algorithms leads to a sense of powerlessness | ||
- | - what new relationships does open algorithmic art expose or suggest | + | - Eco says open works suggest new forms of organization and relationship. |
- by exposing algorithms and showing how they can be beautiful, the understand-ability and tractability of algorithms shows new possibilities to an audience: "i could do this," "i could control an algorithm," | - by exposing algorithms and showing how they can be beautiful, the understand-ability and tractability of algorithms shows new possibilities to an audience: "i could do this," "i could control an algorithm," | ||
- even for programmers, | - even for programmers, | ||
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===== conclusions, | ===== conclusions, | ||
+ | katya: | ||
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+ | I think that the main difficulty of the auditory engagement is that while you are playing on computer u kinda incorporated the computer algorithsystem. So you act as a part or of the computer logic. And in my oppinion the musician is totaly sepated from the audience in this situation. He operates in kinda artifitial audible bubble detached from the sonic continuum and the perception experience shared with the audience. | ||
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+ | renick: | ||
+ | |||
+ | assuming this is a problem in achieving one's purpose, what strategies could the performer use to change the situation or otherwise overcome it? | ||
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+ | evegeniy bylina: | ||
+ | |||
+ | https:// |