Differences
This shows you the differences between two versions of the page.
Both sides previous revision Previous revision Next revision | Previous revisionLast revisionBoth sides next revision | ||
hse-03 [2021/11/20 05:18] – renick | hse-03 [2021/11/20 06:58] – renick | ||
---|---|---|---|
Line 165: | Line 165: | ||
===== conclusions, | ===== conclusions, | ||
+ | katya: | ||
+ | |||
+ | I think that the main difficulty of the auditory engagement is that while you are playing on computer u kinda incorporated the computer algorithsystem. So you act as a part or of the computer logic. And in my oppinion the musician is totaly sepated from the audience in this situation. He operates in kinda artifitial audible bubble detached from the sonic continuum and the perception experience shared with the audience. | ||
+ | |||
+ | renick: | ||
+ | |||
+ | assuming this is a problem in achieving one's purpose, what strategies could the performer use to change the situation or otherwise overcome it? | ||
+ | |||
+ | evegeniy bylina: | ||
+ | |||
+ | https:// |