Differences

This shows you the differences between two versions of the page.

--- academic [2024/03/19 01:58] – renick
+++ academic [2024/09/19 00:14] (current) – [Conference Papers (refereed)] renick
@@ Line 14: / Line 14: @@
 ===== Conference Papers (refereed) =====
+Bell, R. et al. (2024) ‘Live Coding Melody and Harmony in JavaScript’, in Proceedings of the 19th International Audio Mostly Conference: Explorations in Sonic Cultures. New York, NY, USA: Association for Computing Machinery (AM ’24), pp. 362–372. Available at: https://doi.org/10.1145/3678299.3678336.
 . van der Walt, J. S., Street, Z., Albornoz, A., Bell, R., John, G., Jack, O., ... & Velasco, G. R. (2019, January). Towards Improving Collaboration Between Visualists and Musicians at Algoraves. In International Conference on Livecoding. https://iclc.toplap.org/2019/papers/paper137.pdf
-. Renick Bell and Joana Chicau. “A Trans-Disciplinary Tool for Collaborative, Choreographed, and Embodied Audio-Visual Live Coding”. In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/#papers
+. Renick Bell and Joana Chicau. “A Trans-Disciplinary Tool for Collaborative, Choreographed, and Embodied Audio-Visual Live Coding”. In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. https://live-interfaces.github.io/2018/pdf/ICLI2018-Bell.pdf
 . Joana Chicau and Renick Bell. “Círculo e Meio: An Audio-Visual Live Coding Performance Combining Choreographic Thinking and Algorithmic Improvisation.”In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/