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academic [2021/11/06 02:47] renickacademic [2023/11/15 20:02] renick
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 ====== Academic Writing ====== ====== Academic Writing ======
  
-===== Journal Articles (refereed) =====+===== Book Chapters (edited) =====
  
 +Bell, Renick (2022). Chapter 3.8. In Blackwell, A. F., Cocker, E., Cox, G., McLean, A., & Magnusson, T.  Live coding: A user’s manual. MIT Press.
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 +Chicau, Joana and Bell, Renick (2022). Choreographies of the Circle & Other Geometries. In Shih, X. X. et al. (2022). Critcal Coding Cookbook. Critical Coding Cookbook. Retrieved March 5, 2023, from https://criticalcode.recipes
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 +===== Journal Articles (refereed) =====
  
 2018. “Limits in Algorithmic Dance Music”. Dancecult: Journal of Electronic Dance Music Culture. https://dj.dancecult.net/index.php/dancecult/article/view/1082/965 2018. “Limits in Algorithmic Dance Music”. Dancecult: Journal of Electronic Dance Music Culture. https://dj.dancecult.net/index.php/dancecult/article/view/1082/965
  
 ===== Conference Papers (refereed) ===== ===== Conference Papers (refereed) =====
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 +2019. van der Walt, J. S., Street, Z., Albornoz, A., Bell, R., John, G., Jack, O., ... & Velasco, G. R. (2019, January). Towards Improving Collaboration Between Visualists and Musicians at Algoraves. In International Conference on Livecoding.
  
 2018. Renick Bell and Joana Chicau. “A Trans-Disciplinary Tool for Collaborative, Choreographed, and Embodied Audio-Visual Live Coding”. In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/#papers 2018. Renick Bell and Joana Chicau. “A Trans-Disciplinary Tool for Collaborative, Choreographed, and Embodied Audio-Visual Live Coding”. In Proceedings of the International Conference on Live Interfaces 2018. Porto, Portugal. http://www.liveinterfaces.org/2018/#papers
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